Blue and white porcelain vessels are historically and presently prized for their lightness, decoration, and the skill it takes to create such intricately delicate objects among many other properties. Porcelain as a ware lends itself to these thin and strong works, being a high fire clay which vitrifies once fully matured. What would it mean, then, to not fully mature this clay body? To speak in the language of its decorative tradition and yet suggest in form that it is made to be touched, shuffled, worn down, played with, instead of prized from afar. Value is a fickle thing, and even just the idea of touch tends to muddle the fragile balance between worth and worthlessness. DISCARD lies toes the line of value and worthlessness, speaks to question of how objects can be devalued by human touch and production and yet are appraised initially by such handiwork.